The Girl Who Goes Alone, performed with Sandbox Radio.
You’ll also find my poems online at The Writer’s Almanac, Verse Daily, Bellingham Review , Toadlily Press and DMQ Review.
Recent poems Not Yet and More, One More are online at Shark Reef.
Untitled
The beginning of wisdom is in getting things
by their right name. —Chinese proverb
Ear. Nose. Eye.
We teach every child
to point and name.
The child goes to school,
learns “he” is the norm,
“she” the grammatical
variant. When the place
between her legs is left
unnamed, what lesson
does the child learn
but that what she discovers there
doesn’t quite exist
(except to be washed, face averted).
Eventually she’ll find
the dessicated,
reticent Latinates—
the language and labels
of diagnosis
and prohibition—
a linguistic burka, rooted
in pudere: be ashamed.
She’ll find the dysphemisms
of juvenile slang—
metaphors of confused fascination—
geographic euphemisms.
(Might as well call it Australia.)
Quarter of a million words
but not one with the raw
authority, the accurate—forgive me—
mouth feel
of the thing itself. So taboo
as to be nameless,
that place all human aching starts.
–Elizabeth Austen
The final line is borrowed from Li-Young Lee’s “Self-Help for Fellow Refugees.”
This Morning
“Light takes the Tree; but who can tell us how?”
– Roethke
It’s time. It’s almost too late.
Did you see the magnolia light its pink fires?
You could be your own, unknown self.
No one is keeping it from you.
The magnolia lights its pink fires
daffodils shed papery sheaths.
No one is keeping you from it—
your church of window, pen and morning.
Daffodils undress, shed papery sheaths—
gestures invisible to the eye.
In the church of window, pen and morning
what unfolds at frequencies we can’t see?
Gestures invisible to naked eye
the garden opens, an untranslatable book
written at a frequency we can’t see.
Not a psalm, exactly, but a segue.
The garden opens, an untranslatable book.
You can be your own unknown self—
not a psalm, but a segue.
It’s time.
Originally published in Pontoon 7: an anthology of Washington State Poets
I stumbled onto your website after coming across your poem “Humans”–it’s the first poem I’ve read in a quite some time that speaks to something deep within me . I love your deliberate simplicity with the images you create and look forward to reading even more of your work.
I too am a writer, It’s all rather new to me and I haven’t had anything published since college but have been working as an actress and collecting layers and pages for the past several years.
Thank you.
Powerful and poignant!
Thank you for so beautifully and charismatically clarifying that. I can see, taste, and feel exactly what really happened. Makes much more sense this way, doesn’t it? Lovely writing…As usual!
I came across your site as I was on the Richard Hugo House website. This poem is absolutely beautiful! You are truly a master of your craft. Your well-chosen words are so delicate and alluring. Each line is more intoxicating than the next. You are an amazing and talented artist. Thank you for sharing this.
Listened to your reading at Allied Arts in Yakima Sunday and was very moved, especially by your “Women Who Go Alone” (hope I got that right) poem. You mentioned there was a link somewhere to the poem online. I’m hoping that’s still accessible – Googled it to no avail. Cheers
Hi Daniel,
Thanks for your message, and for your interest in “The Girl Who Goes Alone.” The poem is posted here http://www.hugohouse.org/content/elizabeth-austen-poems (you have to scroll down the page a bit for it.)
What a pleasure to read in Yakima!
Be well,
Elizabeth
A friend forwarded your feed this morning to let me know you are coming to Northwinds. Thank you for your sharing and being!
Sherry
I heard your poem On Punctuation read (on the radio) this morning and LOVED it. I can’t wait to share it with my 16 year old daughter who struggles with run-on sentences when she writes papers for school. You are brilliant!
Hi, Laura–thanks! I hope your daughter enjoys it too.
Saw your poem, “On Punctuation,” on The Writer’s Almanac and loved it. I forwarded it to the ladies in my little book club–we’re all English teachers–and they were amazed. I looked up your website and “This Morning” has me so excited that I’ve pasted it in my journal as inspiration. It makes me want to become my “own, unknown self.” You are quite the writer, Elizabeth! I’m going to order your new book–I’m your new, biggest fan.
hey there ol’ pal,
spent a few with you and a cup of jo. great way to start the day…the girl who goes it alone is so alive in my memory. the astonishment at you, still in my muscles, up there – untethered, on the catwalk of the margo jones. i’ve never stopped being impressed.
break a leg with every dress,
& always love,
a
What a refreshing style!
Elizabeth,
Hi. I saw and listened to your reading at Innisfree, Boulder’s wonderful
poetry-only bookshop, this past June, and had the pleasure of meeting you
briefly … Suzanne’s sister, Gabrielle. I have been having a bit of a love-affair with your poems from Every Dress a Decision, and sharing your work with some friends. Would you do me one favor by telling me the form that you are following with “This Morning”, using the basic repetition of the 2nd line of each stanza as the 1st line of the following stanza?
Thanks, and hope you are quite well.
Warmly,
Gabrielle E
OK, upon further readings, of course I see many repetitions of lines, and have not found the form — yet — in my resource books or online, so will patiently await your reply!
Cheers,
G
Great to hear from you, Gabrielle! I’m so glad to know you’re enjoying the poems. “This Morning” is a pantoum. Here’s more info on the form: http://www.poets.org/viewmedia.php/prmMID/5786
This poem is very beautiful, a mind opener, thank you much appreciated, WS
Pretty much speechless over here. Thank you for this very pretty poem.